It was probably by coincidence but the progression of photography after the 1840s coincided with the slow defeat of sail in ships, brought about by the new steam propulsion.
Up to the Napoleonic era, cargo and warships relied exclusively on brawn and wind power to move across waters – oars and sails. Until steam engines changed all that.
Slowly but inexorably, the Victorian age witnessed the triumph of steam power and sailing survived mostly as a leisure and sporting pastime rather than as essential to commerce and war, as it had for centuries.
This feature records sailing vessels in or around Malta through a sequence of antique images. Boats were mostly photographed in the harbours, at their least photogenic, with their sails stowed.
My selection includes the last remnants of powerful British hybrid warships, on which steam engines coexisted with majestic sail rigging, marine training ships for young seamen and the native luzzu and dgħajjes tal-latini (with lateen sails) for transport of passengers and light cargoes between the islands and fishing.
Sadly, almost none of the latter have survived.
Maltese commercial photographers found these native boats fascinating and marketed many images as postcards, particularly Salvatore Lorenzo Cassar, but even more intensely Edward Alfred Gouder (1870-1942), whose inexhaustible 1920s series of Gozo boats must rank as one of the aesthetic tours de force in the history of Maltese photography. I included many of them in my book Nostalgias of Gozo.
I have deliberately omitted the work of the German Geo Fürst, the lyrical poet of Maltese imagery in the inter-war years. He made sea craft with sails unfurled central to his paintings and camera artistry.
I may, in the future, dedicate a spread exclusively to his unbearably beautiful photos.
All images from the author’s collections