From Vivienne Westwood to Jean Paul Gaultier creations, Undressed: A Brief History of Underwear, covers everything there is to know about the most intimate of clothing. The exhibition is currently running at the Victoria & Albert in London, the UK.
An Agent Provocateur and Revlon exhibition at the Victoria & Albert in London tells the story of underwear design from the 18th century to the present day, considering the practical and personal, sensory and fashionable and exploring underwear’s roles of protecting and enhancing the body.
Undressed: A Brief History of Underwear, displays more than 200 examples of underwear for men and women, highlighting the enduring themes of innovation and luxury, from the custom-made. The latter include as a rare example of home-made ‘stays’ worn by a working woman in England in the 18th century to pieces by designers including Stella McCartney, La Perla, Rigby & Peller and Paul Smith.
The exhibition explores the relationship between underwear and fashion, notions of the ideal body, and the ways that cut, fit, fabric and decoration can reveal issues of gender, sex and morality. It considers health and hygiene and address the design and technological advances central to the development of underwear.
On display are corsets, crinolines, boxer shorts, bras, hosiery, lingerie and loungewear alongside contextual fashion plates, photographs, advertisements, display figures and packaging. Highlights include long cotton drawers worn by Queen Victoria’s mother, an 1842 man’s waist belt used on the wearer’s wed-ding day, a 1960s Mary Quant body stocking, a pair of gender neutral briefs by Acne, a sheer dress by Liza Bruce, famously worn by Kate Moss and flesh-coloured leggings decorated with a mirrored glass fig leaf by Vivienne Westwood.
Undressed: A Brief History of Underwear, explores the vigorous debate about corsets and how to make them supportive and healthy. A restrictive 1890s whalebone and cotton corset with a waist under 19 inches in circumference is being displayed alongside X-rays and illustrations revealing the dramatic impact on the body of wearing such a garment. Conversely, corsets were also recommended to improve medical conditions and posture.
The exhibition includes a lightly-boned 1895 version made from aertex, an innovative cellular woven cotton, showing an alternative side to tight lacing. An austerity corset made from paper during World War I and a waist training corset, a slimming tool endorsed by celebrity figures such as Kim Kardashian, are also on display.
The development of the bra, which enabled movement and mobility, is traced throughout the 20th century, showing early examples that include a lace and satin bust bodice from 1910. Bras, girdles and shapewear illustrate the importance and variety of support; from striking advertisements for latex corsetry by 1930s brand Chamaux, to a 1950s Playtex rubber girdle and Spanx designs from 2010.
A restrictive 1890s whalebone and cotton corset with a waist under 19 inches in circumference is being displayed alongside X-rays and illustrations revealing the dramatic impact on the body of wearing such a garment
Examples of lingerie, women’s underwear and nightwear made from sensual or luxurious fabrics are also on display. A remarkably detailed pair of 1930s silk chiffon knickers, decorated in lace with a hunting scene, will show how the finest fabrics and exceptional craft skills contribute to making luxury underwear.
Garters and hosiery will be shown, including floral embroidered stockings worn by Queen Alexandra, wife of King Edward VII, Schiaparelli nylon stockings from 1953 and embroidered stockings exhibited at the Universal Exhibition in Paris in 1900.
The exhibition explores both practical and functional underwear. It assesses the types of fabrics used, from a 1850s cotton chemise, examples of artificial silk from the 1920s and a contemporary set of modal pants for women by Cheekfrills, playfully embroidered with the days of the week.
The importance of performance is presented in displays of maternity wear, of underclothes designed to keep the wearer warm or cool, or comfortable and supported during sport. Highlights include a homemade bust bodice for a nursing mother in the 1820s, a contemporary set of maternity briefs and bra by Hot Milk, a 1970s pair of men’s red string briefs by Brynje of Norway, a ‘Cyclist Corset’ and its box from 1900, and a 1990s sports bra from Marks and Spencer.
The importance of fit is shown in a focus on men’s underwear that includes the packaging for a pair of David Beckham for H&M briefs from 2012, and a display figure for Y-front pants dating from the 1950s. These objects illustrate the way that underwear advertising often plays to the appeal of a youthful, fit, sexually attractive body.
Garments devised to lift, separate or exaggerate parts of the anatomy and to provide a structure for the fashionable shape of the day will be shown. Rare 18th-century hoops are displayed alongside crinolines and bustles. Some were designed in response to consumer demands for more practical undergarments which did not compromise movement, such as an ingenious collapsing bustle, presented alongside its original advertising materials.
The exhibition also demonstrates how underclothes and nightclothes morphed into lounge wear. Dressing gowns were transformed into informal garments for home entertaining such as tea and hostess gowns.
The exhibition will include an 1840s man’s dressing gown, a silk evening dress by Paul Poiret from 1911 which anticipated the chemise dress of the 1920s, a 1970s kaftan for home entertaining, a chic 1930s jump suit by the London fashion house Baroque and embroidered lounge pyjamas from the 1920s.
Many designers are fascinated by the relationship between underwear and outerwear, and underwear and the body. Garments on display show how designers have challenged accepted ideas about private and public, gender, sex and nudity. Underwear is, by definition, worn beneath other clothes.
While shirts, chemises and petticoats were sometimes partially revealed before the 20th century to indicate quality and the wealth of the owner, today social and cultural changes mean exposed underwear is a common sight. The exhibition includes a Calvin Klein crop top and briefs worn with low-slung hot pants, and a beautiful, transparent and an embroidered muslin dress worn with lace knickers, designed by John Galliano for Givenchy haute couture.
Corsetry and lingerie are often designed to be alluring, seductive or playful, to enable wearers to express their desires and fantasies. Undressed: A Brief History of Underwear explores the tempting nature of underwear through objects ranging from a vivid pink silk 1890s corset, to 1930s bias cut nightwear, contemporary pieces by Cadolle, Fifi Chachnil and Agent Provocateur, and an exquisite negligée by Carine Gilson, like that worn by actress Bérénice Marlohe in the film Skyfall.
These all illustrate that the choice of underwear for the bedroom remains intrinsically personal, and has been throughout the centuries.
Much as underwear can be revealed, it can also be designed with the intention to transform or provoke. Alongside Vivienne Westwood’s ironic flesh-coloured leggings there are also exhibited a skin-tight laced cocktail dress by Jean Paul Gaultier from 1989, a delicate lingerie dress by Ellie Saab, a Dolce & Gabbana dress featuring a large cage crinoline from their Sicilian Collection and Antonio Beradi’s monochrome dress, worn by Gwyneth Paltrow, featuring a trompe l’oeil corset which reveals the underwear worn beneath.
The exhibition runs until March 12 at the Victoria & Albert in London, the UK.
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